Koru Sonnets by Tyler Chadwick

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Continue reading “Koru Sonnets by Tyler Chadwick”

Landscape, with a Cricket’s Chirr by Tyler Chadwick

Beneath the ramble and catch
of tumbleweed: the lull of horizon
delicious with distance and elegy,

dead-ends and blue highways hoarse
with the whisper of wind, dust,
wood, bone, memory €”the grist

of solitude stirred up
the morning you woke determined
to pluck the sun from God’s thigh

as he passed, full-stride,
over this side of town. That’s
how Jacob got new-named, you say

when the story comes up with friends €”
and strangers, for that matter.
Like when you were painting

plein air roadscapes outside Redmond
and you used it to ply conversation
with the breeze as she watched you

seduce landscape from ripples of soul
stirred by her sigh. Yes, you say,
that’s how Jacob got new-named.

Nevermind it was his hip flicked
out of joint when the angel
stopped wrestling fair, wrested God

from Israel’s shank. Nevermind
your layover in Peniel via Genesis
left sand in the visions you put on

and off like shoes at Mnemosyne’s
fire ring. Nevermind that won’t earn you
a cross-reference from €œJacob (see

Israel) € in God’s Almanac
of New Names: From Michael (see
Adam) to the Present. Nevermind

God hasn’t appended his reputation
to your presence on these roads
supple as a cricket’s chirr

from the cleft between landscape
and soul, soul and skin, skin
and the palette you’ve charted

like desire’s ramble and catch
down the back roads and canyons
of memory.
______________________________________________________________________

“Landscape, with a Cricket’s Chirr” is an ekphrastic poem in response to a series of roadscapes by J. Kirk Richards.

To read Tyler’s bio and more of his poetry on WIZ, go here.

*non-contest submission*

Vestment by Tyler Chadwick

Come slip between atmospheres of memory.
Knead yourself into cumulus €”your airline ticket,

your pushbike, your liahona €”with fingers like
the fingers of Doré’s sun. Sift marrow

until you feel soil part, feel the fern press its head
through mist then flatten against sudden emptiness.

Until you can roam sky without tripping on God’s
hem, can cloak in light

without singeing every shadow to ash, without
blinding yourself as you trace the cloudfire to dusk.

____________________________________________________________________

Tyler Chadwick lives in Pocatello, Idaho, with his wife, Jessica, and their four daughters. His poems have appeared in Metaphor, Dialogue, Irreantum, Salome, Black Rock & Sage, Wilderness Interface Zone, and The Victorian Violet Press Poetry Journal. In 2009, he received the Ford Swetnam Poetry Prize and in 2010 he was nominated for a Pushcart Prize. He’s also editor of the forthcoming anthology from Peculiar Pages Press, Fire in the Pasture: 21st Century Mormon Poets. He blogs at chasing the long white cloud.

To read more of Tyler’s poetry on WIZ, go here, here, here, here, and here.

*non-contest submission*

Self portrait with closed eyes by Tyler Chadwick

Self Portrait with Eyes Closed by J. Kirk Richards

Self portrait with closed eyes

like a brumal serpent
listening to Earth

shed her crystalline

skin, slip off her chill
at dawn’s seductions

supple as hibernacula

warm with bodies
slendering into instinct

and appetite €”Eden’s

infinite metaphors
sidled up to God’s breast,

areola iron on the tongue,

milk rich from desire’s simmer
and slow burn, the flame

set low so not to sear the soul

still this side of vision, lurking
like the mourning dove’s

anti-climactic elegies

teasing Eve from her
backwoods mythology

heavy with temptation’s

pome and tang and the rasp
of cherubim wings strung like

words along Lucifer’s tongue

as he conjures shame from
her constant wound €”fig

weeping matins in Eden’s half-

light while Adam snores
downwind, only stirs when

she’s roused scent enough

to slip into his dreams
as the rib slipped from his side

the morning God stopped by

and found the basket of figs
he’d left last visit

still sitting on the altar,

thrumming with June Bugs
undone in the eating, mad

with the zephyr’s rasp

through the scales of the constrictor
stretched at sleeping Adam’s side.

_______________________________________________________________________

“Self portrait with closed eyes” is Tyler’s ekphrastic response to the painting “Self Portrait with Eyes Closed” by J. Kirk Richards that appears at the tip-top of the poem.

For Tyler’s bio and links to more of his poems published on WIZ, go here.

Sestina of Seven Births by Tyler Chadwick

1. 27 November 2006, Morning
They’d said it would come,
with December just around the bend.
Still it caught me off guard. Outside
in pajama pants, t-shirt, bare feet, waiting
for the dog to make: the first flakes layered
cornered leaves with winter’s afterbirth.

2. 16 July 2003: Our First
The day Sidney was born,
her water came
on the bathroom floor. As I’d layered
a towel to soak the spill, my wife bent
over the head to catch any leaks, waiting
for labor to turn her insides
out.

3. New Mother
Sitting beside
the ashen body of her stillborn
son, waiting
for the cry that never came,
she bent
her breath across his chest, warming the empty layers.

4. 12 February 2006, 2:23 AM: Our Second
Rising through layers
of sleep into wet sheets, she’d stood beside
our bed, questioned her continence while bending
lamp light across the spill. €œLooks like your birthday
present’s coming, €
I’d said as she winced at the onset of labor’s weight.

5. Sarah
As she wearied beneath the weight
time layered
on her womb, he came
to her. Inside
the tent, a moonbeam gave birth
to galaxies as her universe bent

to God’s touch.

6. On the Lake
Ripples bend
the water’s crimson weight,
distorting autumn’s birth
with each stroke layered
on stroke. Reaching over the canoe’s east side,
our nine month daughter watches her reflection go and come.

7. Solstice
Rereading €œThe Second Coming € on a winter night, birds bending
circles inside Yeats’ words as the tide spanning generations waits
to drown my own, I draw the poet’s layered veil and fall into Christ’s crimson birth.

______________________________________________________________________

Tyler Chadwick is a doctoral candidate in English & the Teaching of English at Idaho State University. He spends his time husbanding his wife, Jessica; fathering four little girls; teaching writing foundations online for Brigham Young University-Idaho; reading; writing; and researching contemporary American poetry. He’s also an avid runner. His poems have appeared in Metaphor, Dialogue, Irreantum, Salome, Black Rock & Sage, and The Victorian Violet Press Poetry Journal. In 2009, he received the Ford Swetnam Poetry Prize and in 2010 he was nominated for a Pushcart Prize.

Visit Tyler’s blog Chasing the Long White Cloud.   To see other poems he has published on WIZ, go here, here, here, here, here, here, and last, but not least, here.

“Across the Hokianga” (Tanka) by Tyler Chadwick

(February–March 2000)

crimson-honey sky
across the Hokianga
crimson-honey tide
but no waka to pierce
the bay’s narrow hips

*

crimson-honey sand
across the Hokianga
crimson-honey sky
but only one cumulus
to lick the bay’s narrow tongue

*

crimson-honey night
across the Hokianga
but no moon
to walk empty shores
sip crimson-honey tea

________________________________________________________________

For Tyler’s bio and other Spring Poetry Runoff contributions, click here and here.

*Non-contest submission*

“Pacific: Mateu, Matem” by Tyler Chadwick

(For Beikake)

both in white sarong
I bend you through the font
watch fabric rise
on water troubled
by the currents of death

______________________________________________________________

Mateu, Matem (Gilbertese): €œmy death, your death. €

_____________________________________________________________

For Tyler’s bio and his other submission to the Spring Poetry Runoff, go here.

*Non-contest submission*