I Forgive All Untruths

2019 Dec. 14 blueprint

I forgive all untruths that brought me here
to uncut world outside redoubts of prayer.
Perfection is itself a man-made sphere.

I once thought the path constructed, clear:
an Architect fit life to Truth with care.
I forgive all untruths that brought me here

where words frame no enclosure, only, freer,
new stories open into untold air
(perfection is itself a man-made sphere),

and wanderers gather at a vast frontier.
Knowledge howls its feral nature there.
I forgive all untruths that brought me here.

The creature hand wants walls and fires that cheer;
the mind, its castle keep and stately chair.
Perfection is itself a man-made sphere,

and moil as we must great wholes to engineer
quick words work through each weather-tight repair.
I forgive all untruths that brought me here.
Perfection is itself a man-made sphere.

©Patricia Karamesines

Excerpt from Showdown at Crossfire Canyon: Getting Digs In, Part 1

 

2015 July 5 cliff dwelling at trailhead
Small Ancestral Puebloan dwelling in a side canyon at the head of Crossfire Canyon

Backstory: On 6/11/2009, in a raid dubbed “Operation Cerberus Action”, a large contingent of federal agents descended on San Juan County, Utah, and arrested several Blanding and Monticello residents for the illegal theft, selling, and trade of protected Native American antiquities. Among them was the esteemed Dr. James Redd, a longtime resident of the area. Dr. Redd was indicted, but the day following his arrest, after recording a long message to his family, he took his own life. This tragedy on top of the already shocking show of force resulted in unforeseen effects, some of which are still in play today, in the questionable prosecution of Rose Chilcoat and her husband Mark Franklin, for instance, for allegedly endangering livestock. This post expands on an earlier post titled “Getting Digs In.” The chapter has grown in length, so I’ve broken it into 3 parts.

June 13, 2009. Two days after Operation Cerberus took the town by thunderclap, and a day after Dr. James Redd committed suicide, I came up out of Crossfire and heard voices above me, near the trailhead. The town was still shaking, stunned by shock, outrage, and grief. I felt curious to see who might be coming into the canyon. I glimpsed a woman on the rocks overhead, well off the trail, turning back in response to a companion’s call. Picking up my step to intercept them, I caught up with two retirement-aged women—out-of-towners—as one helped the other over the arched rebar cattle guard at the trailhead. Something about them said, “Colorado”. They didn’t see me approaching, so I greeted them then asked where they were from. They were coy about answering, saying only they were visiting.

“You?” they asked.

I answered that I lived up the road but was not originally from the area. “Are you going to see the cliff dwelling?” I asked. There’s a two-story Ancestral Puebloan cliff dwelling a little off the beaten trail in the crease between the cliffs’ base and the talus slope. I thought they might be hiking in to see that.

The woman who seemed most willing to engage in conversation said, “Yes.” Then she pointed to the yellow, green and white, heavy-gauge aluminum, BLM sign posted at the trailhead announcing the canyon’s 2007 closure to off-highway vehicles. “But we really wanted to see this,” she said. Continue reading “Excerpt from Showdown at Crossfire Canyon: Getting Digs In, Part 1”

Quothing the Raven by Patricia Karamesines

Photo of common raven courtesy of National Park Service
Photo of common raven courtesy of National Park Service

This post is an excerpt from my unpublished book, Crossfire Canyon and the Landscape of Language. I published a shorter version of the chapter in 2007 on the blog Times and Seasons. I’ve added material and developed my thinking about the intersection  of narrative and truth, posing questions about what our responsibility may be when we tell a story that deeply affects people–especially when the story isn’t strictly true, but people who read or hear it feel that it must be.

Winston Hurst
Archaeologist Winston Hurst

Early in the summer of 2007 I visited Blanding resident Winston Hurst, a longtime friend from my archeological field school days back in the 80s. Winston is an esteemed archeologist in the Southwest and a man of science. We were discussing Craig Childs, who was coming to Blanding’s Edge of the Cedars State Park to promote his book. I had met Craig in the 90s at a writing workshop he’d led in Torrey, Utah. The first time I read Craig’s work—it was The Secret Knowledge of Water—I  thought, Here is a writer I can learn from. I’d taken the risk to travel to the workshop, even though leaving the household whose atmosphere depended on the state of my special needs daughter Teah and on the whims of toddler Val left husband Mark with his hands full.

The experience proved well worth the risks to my household’s teetering domestic balance. Craig told our little group—all women—that it was his first workshop. At one point we met in the wonderful stone house, still a work in progress, of a local resident. To make memorable his point that we should all carry writing journals when we’re out traipsing, Craig set a pile of his own journals in the middle of the floor and told us to each choose one and find a quiet place to read it. I happened to pick the one that contained dialogue that would later appear in his book, The Way Out: A True Story of Ruin and Survival.  The dialogue occurred between Childs and his river guide friend, Dirk Vaughn, who used to be a cop. It involved Dirk’s statement that he’d killed a man. Continue reading “Quothing the Raven by Patricia Karamesines”

STAND WITH BEARS EARS: RDT’s New Concert Dance Inspired by the New National Monument & the Tribal Coalition That Helped Make It Happen

Erosion, by Zvi Gotheiner
Erosion, by Zvi Gotheiner

By David Pace

Earlier this year Repertory Dance Theatre (RDT) and Utah Diné Bikéyah (UDB) sat across from each other trying to figure out if together they could offer to be some kind of steadying order to the growing imbroglio of the recently announced Bears Ears National Monument in southeast Utah. What does concert dance have to do with preserving federal lands considered sacred by Native Americans?

It turns out quite a lot. At the meeting Navajo (Diné) representatives from the tribal coalition that had midwifed the Monument, including Willie Grey Eyes, Jonah Yellowman, and Mary Benally, related how to them the Bear Ears not only represented the sacred lands of 5 tribes, but also the healing between those tribes after hundreds of years of mutual suspicion and mistrust. Whatever artistic work issued from our collaboration would be motivated by the notion of how the land, and in this case the preservation of the land, can heal divisions. Continue reading “STAND WITH BEARS EARS: RDT’s New Concert Dance Inspired by the New National Monument & the Tribal Coalition That Helped Make It Happen”