The writer’s dilemma: as much as those of us who think we have something to say also tend to believe we perceive the entire firmament of truth associated with our subjects and can name all its constellations, each of us actually stands on a cliff with limited views. We can only speak to the best of our abilities from those positions, speak of and to what we see now in the best language available to us, knowing that we’re missing something, all the while looking forward to finding the frontiers of insight that form at the edges of our current narrative takes. This letter is such an effort. Given the time I had to register my concerns, the current developing attitudes about the “usefulness” of public lands and oil and gas dominance, limited character space for submitting comments electronically, and my current view from the cliff, I felt pressing need to say my say and wrote a “comment” to the Bureau of Land Management regarding my best understanding of the risks oil and gas development would pose to Crossfire Canyon, aka Recapture Canyon, and those of us living near its edges. Readers may notice that I’m not inclined to outrage or agitation over uncertainty. This may be because I’ve faced so many threatening situations for so long that I’ve learned something about directing my focus and efforts and, in cases where the happy ending failed to develop despite my best efforts, living with unfortunate outcomes and what they truth they reveal. But perhaps something in the comment’s contents will have meaning and effect.
Subject: Canyon Country District March 2018 Oil and Gas Lease Sale
Please withdraw Parcels 29 and 30 (Map 7) from your auction and consider permanently closing both parcels to oil and gas development. Three good reasons exist to take such action: 1) Parcel 29 and part of Parcel 30 border the rural residential area at the end of Browns Canyon Road where I and several families live quite close to their westernmost boundaries; 2) both Parcel 29 and 30 cover an environmentally sensitive area, with 29 taking in part of the canyon bottom that includes a series of 10-year-old beaver ponds and their developing riparian zone, as well as a black bear migration route; and 3) both parcels cover an area of dense prehistoric cultural remains that the BLM has already determined to be at risk and worthy of permanent protection. Continue reading “Dear BLM, Parcel 29 is beloved to me”
This post is an excerpt from my unpublished book, Crossfire Canyon and the Landscape of Language. I published a shorter version of the chapter in 2007 on the blog Times and Seasons. I’ve added material and developed my thinking about the intersection of narrative and truth, posing questions about what our responsibility may be when we tell a story that deeply affects people–especially when the story isn’t strictly true, but people who read or hear it feel that it must be.
Early in the summer of 2007 I visited Blanding resident Winston Hurst, a longtime friend from my archeological field school days back in the 80s. Winston is an esteemed archeologist in the Southwest and a man of science. We were discussing Craig Childs, who was coming to Blanding’s Edge of the Cedars State Park to promote his book. I had met Craig in the 90s at a writing workshop he’d led in Torrey, Utah. The first time I read Craig’s work—it was The Secret Knowledge of Water—I thought, Here is a writer I can learn from. I’d taken the risk to travel to the workshop, even though leaving the household whose atmosphere depended on the state of my special needs daughter Teah and on the whims of toddler Val left husband Mark with his hands full.
The experience proved well worth the risks to my household’s teetering domestic balance. Craig told our little group—all women—that it was his first workshop. At one point we met in the wonderful stone house, still a work in progress, of a local resident. To make memorable his point that we should all carry writing journals when we’re out traipsing, Craig set a pile of his own journals in the middle of the floor and told us to each choose one and find a quiet place to read it. I happened to pick the one that contained dialogue that would later appear in his book, The Way Out: A True Story of Ruin and Survival. The dialogue occurred between Childs and his river guide friend, Dirk Vaughn, who used to be a cop. It involved Dirk’s statement that he’d killed a man. Continue reading “Quothing the Raven by Patricia Karamesines”
Earlier this year Repertory Dance Theatre (RDT) and Utah Diné Bikéyah (UDB) sat across from each other trying to figure out if together they could offer to be some kind of steadying order to the growing imbroglio of the recently announced Bears Ears National Monument in southeast Utah. What does concert dance have to do with preserving federal lands considered sacred by Native Americans?