Desert Names by Mark Penny

479px-Desert_Sandwort

I don’t know the names—
No very names.
Oh, chapparal. Oh, sage.
Vague names.
Oh, cactus, tumbleweed.
Oh, scorpion.
Oh, coiled up shaker of a shaman’s bones.
Oh, crook-limbed walker on the knuckled sands.
Oh, day-lived blossom, thirsting in its death.
Oh, winged portent of the flight of breath.
Half-names,
Bright shadows
In a sun
That beats its laundry past the need of clean.
I am the rag-post.
Mummied graves
Croak the long story of my ignorance.

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Mark Penny has poetry on WIZ and Everyday Mormon Writer and in Sunstone and Dialogue, and fiction on Everyday Mormon Writer and Lowly Seraphim. He was winner of the Wilderness Interface Zone 2012 Spring Poetry Runoff Admin Award, a finalist in the Everyday Mormon Writer Four Centuries of Mormon Stories Contest, and a semi-finalist in the 2014 Mormon Lit Blitz. He hopes the trend will bounce.

Current projects include a poetry collection, a Mormon spec fic collection, a dozen or so novels, a collaboration that will blow your spirit right out of your brain, and a unified theory of narrative.

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Photo: Desert Sandwort via Wikimedia Commons courtesy of BLM Nevada, 2013.

Most Days, the Morning Sun’s a Blazing Smudge by Mark Penny

Mark image

Most days, the morning sun’s a blazing smudge
Athwart the city’s searing opal dome,
An egg dropped on an egg, the crack of dawn
Sprawling against a shield that will not budge.
But sometimes, when I stay up all the night
To will my love of nature on the world,
No screen of silken, dusty gray or white
Conceals the chick of heaven where it’s curled.
Those days, the line of jungled, jumbled crags
That spine this island juts along the east
Like a cold lizard basking and the rags
Of last night’s laundry tremble at the beast.
Then the frail yellow phoenix lifts its head
To light the sky and burn awake the dead.

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Mark headshotA middle-aged man in Taiwan
Declared it was time to get on
With his stories and verse
Before loading the Hearse.
It’s of him the above is the spawn.

Mark is, if not ubiquitous, variously present, as follows: Mars Denar, ici, Lowly Seraphim, Dawning of a Brighter Day, Sunstone, and Dialogue.

Photo by the poet.

The Sky’s an Ocean, As All Eagles Know by Mark Penny

Birds_in_flight

The sky’s an ocean, as all eagles know
Who plumb the splendour nest to keel,
A craze of very ships in fleets that flow
On voyages forbidden whale and seal.
Its currents race, chained to the planet’s turn,
Churned by the jilted passion of the sun,
Exacting fervor from the veil-eyed fern
Mured in a pillared abbey like a nun.
Fleet immigrants, protesting falling leaves
And roofless perches, clog the trackless ways,
Pursuing passion while the bosom heaves
Of all creation in its fit of days.
The sky’s an ocean, leaping shore to shore.
So says the urchin on the ocean floor.

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For recent work by Mark and additional links, go here.

Photo “Birds in Flight” via Wikimedia Commons.

What the Winter Means by Mark Penny

Winter_landscape_3

You will be asking what the winter means.

A crack,
A crackle,
A lament.

The flat, sad surface of the earth
Stuck in the ice
That traps a pond.

The green gone gray and white
Alone
Or clothed
As if the crystals of the sky
Had slipped their tassels,
Slid the flimsy loom
And flapped like gulls and eagles
To the ground.

Moments of muteness
When no sight or sound but what comes with us
Dawdles in the glade,
The sounds sucked outward by the space
Between the grains of grounded firmament.
The chance of quiet in the grove,
The roads mere motions over rise
And so no more a measure of the world
Or its slow paces in the searing wind
Than pulse or breath,
Which also slow and still.

It is the restless resting revving up
Between the quick flags of the chase,
The soulless solace sloping to a rage
Of curled up crimsons
Bleeding green;
The ice cube cooling in the fire,
The cold cup sweating by the sea.

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For more by Mark, and additional links, go here.

Photo “Winter Landscape 3” via Wikimedia Commons.

Ice Walking by Mark Penny

Beaver_dam_in_Tierra_del_Fuego

A nameless beaver sprang the trap.
Must have swum through it on his way up shore.
The two dogs, Jax and Cleo, crouched in their winter coats,
Gripped and pulled,
But the snare held,
Jealous of its prey.
I found them:
Red paw prints in the savaged snow,
Scrabbling blindly at the brink.
They parted for me.
I freed the carcass.
Primate hands
Dripping intelligence,
Carried the trophy to the pen
I’d built
To keep the collies off the goats–
The neighbour’s goats.
I threw the carcass down.
The dogs converged,
Patience and awe giving way to greed.
I watched awhile,
Then turned to human things.

There were two dams below the house:
The calf-deep creek
Bloated to drowning-depth in two black ponds.

Nights with a flashlight, brimstone eyes
Cruising the surfaces.
The still woods bristled:
Gnawed-off stakes,
Brute remains of silent-rooted trees,
Victims of mammal industry,
Torn bones
Woven in muddy, water-rotted domes.

Winter falls.
Green shapes yield to strangling ash,
Thicken and round out.
Water stills.
I try my foot on the narrow creek.
It holds.
Two feet.
I step.
I stop,
Listen for shifting,
Feel the seams,
Shuffle another pace or two.
All still.
All whole.
The dogs and I
Walk the half-glowing road
Onto the pond,
Ears up,
Knees bent,
Ingrown eye scanning the scratched slab,
The wind-laid pavement.

Now each breath
Savors its passage through the lungs
Upward,
The sky,
Rampant with icy lights–
And tall between,
Lone man
Gaping
As he breathes.
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Mark Penny has published with WIZ, and won last year’s Admin Award in the Spring Runoff. He was a finalist in the Goldberg’s “Four Centuries” competition in 2012. He recently founded “The Lowly Seraphim,” an “e-collective” for speculative Mormon fiction.

Photo “Beaver dam in Tierra del Fuego” via Wikimedia Commons.

Open on the Plain by Mark Penny

AltamiraBison

The plain stretched tritely left and right,
Flat as the sky it laughed at,
Which was gray
And rolled like prairie, but less wild.
Bands of rain scented the slow wind with their sweat,
Stalking through grass as yellow as a sun
Ripe on the lowest branch of waning time.
They’d be here soon, but not before I fled.
I sat with the dogs,
Facing the ruins of a fire:
Surly white stones speckled with planet dust,
Stained with the feeble fingerprints of flame.
The oil pump on a neighbour’s farm
Browsed on the beasts its shape bore memory of:
Big head, long neck, deadly indifference,
Sucking the black blood of the earth
The way mosquitoes have since blood began.
A piece of charcoal wound up in my hand,
Scraped a few lines of very basic art
On the disgruntled face of one white stone.
Meant to be Cat,
Looked more like Bison.
Something with spear and arrows in me danced
And caverns shook with earthy reddish light.

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For recent work, a bio, and additional links, go here.

Image: Altamira Bison by Ramessos.

Deer Skull on Giant Stump by Mark Penny

I’m locked and loaded on a night of curtailed sleep
Curtailed at starting end
The movie was too good to sleep through
What was it called?
About?

That paragraph I wrote for English-with-Foreigner 1-15
Is in my head like the aftershock of a bad-apple head-on with a truck
It gongs and dongs with it
So I’ll tell it here

It was the story of a day
So many days ago I laze to count
Thirty-six years of days, I guess

Remember jamborees?
Great, gaudy gumball gatherings of boys Continue reading “Deer Skull on Giant Stump by Mark Penny”