by Patricia Karamesines
Mountains and evening: aspen leaves,
Pale as moth wings,
Reclaiming the wood.
The car clove spring.
A flock of yellow petals, heads hung—
I wanted to stop,
But seeing you, said nothing.
You were not much in your face,
Your words, better remembering
Some breathtaken childhood
On this exalted road.
At the peaks, winds ground
Clouds to dust
In parching cold.
We rode through green flush below,
Windows pleasantly rolled down. Continue reading “Evening Drive”
Today is WIZ’s fifth birthday! To celebrate that and LONNOL Month, we’re giving away TWO free silver screen classics from days of yore for your viewing pleasure!
This first is a rerun from a previous WIZ Retro Review Giveaway, but it’s one of my favorite old flicks. Come Next Spring is a generous story with a quiet but strong heart. Like many of these older films, rather than relying on in-your-face action sequences and special effects, loud soundtracks, and romantic drama that glues a box-office-compatible couple to center stage, Come Next Spring turns on resonant dialogue and actual, honest questions about family and community relations.
The story: recovering alcoholic Matt Ballot (Steve Cochran) returns to his Arkansas farm and the wife, Beth, and daughter, Annie, whom he abandoned twelve years earlier. He’s more than a little interested to see what’s become of them since he left. As he walks down the home stretch, he meets Annie. Annie is a voiceless creature who keeps company with animals but runs away from her father, who doesn’t recognize her. When Matt reaches the old homestead, he’s surprised to discover not only that his stoical and resourceful wife Bess (played beautifully by Ann Sheridan) has held everything together quite well without him but also that he has a delightful son, Abraham (Richard Eyer), born after Matt ran out on the family. Continue reading “WIZ Retro Review Giveaway Double Feature: Come Next Spring and Merrily We Live”
(For Clinton F. Larson)
How long did I look in that face, admit
that voice? He left his door unlocked to me,
kept ice cream money in a drawer. He fit
his office to my urchin company.
Those years I spent his foundling, each day waking,
I toyed on his baroque and spiraled stair.
“Look, here is Milton. See this sentence snaking?
These coils bend on forever. Do you dare?”
Continue reading “Father-Daughter Dance by Patricia Karamesines”
It’s another LONNOL Month, WIZ’s traditional month-long celebration of love and the natural world.
We’re issuing an open call for nature-themed, love-laced writing and visual arts: original poetry, essays, blocks of fiction, art, music (mp3s), videos or other media that address the subject of love while referencing nature, even if lightly. By the same token, we’re interested in nature writing raveled up with themes of love.
If you’ve written artsy Valentine wishes to someone beloved—or perhaps created a video Valentine or made a live reading of a sonnet or lyric poem that’s original to you—or if you’ve written a short essay avowing your love for people, critters, or spaces that make you feel alive, please consider sending it to WIZ. Click here for submissions guidelines.
We hope you’ll join our month-long celebration combining two of the most potent natural forces on the face of the planet–love and language.