This post is an excerpt from my unpublished book, Crossfire Canyon and the Landscape of Language. I published a shorter version of the chapter in 2007 on the blog Times and Seasons. I’ve added material and developed my thinking about the intersection of narrative and truth, posing questions about what our responsibility may be when we tell a story that deeply affects people–especially when the story isn’t strictly true, but people who read or hear it feel that it must be.
Early in the summer of 2007 I visited Blanding resident Winston Hurst, a longtime friend from my archeological field school days back in the 80s. Winston is an esteemed archeologist in the Southwest and a man of science. We were discussing Craig Childs, who was coming to Blanding’s Edge of the Cedars State Park to promote his book. I had met Craig in the 90s at a writing workshop he’d led in Torrey, Utah. The first time I read Craig’s work—it was The Secret Knowledge of Water—I thought, Here is a writer I can learn from. I’d taken the risk to travel to the workshop, even though leaving the household whose atmosphere depended on the state of my special needs daughter Teah and on the whims of toddler Val left husband Mark with his hands full.
The experience proved well worth the risks to my household’s teetering domestic balance. Craig told our little group—all women—that it was his first workshop. At one point we met in the wonderful stone house, still a work in progress, of a local resident. To make memorable his point that we should all carry writing journals when we’re out traipsing, Craig set a pile of his own journals in the middle of the floor and told us to each choose one and find a quiet place to read it. I happened to pick the one that contained dialogue that would later appear in his book, The Way Out: A True Story of Ruin and Survival. The dialogue occurred between Childs and his river guide friend, Dirk Vaughn, who used to be a cop. It involved Dirk’s statement that he’d killed a man. Continue reading “Quothing the Raven by Patricia Karamesines”